WEKO3
インデックスリンク
アイテム
中国新疆・ウイグル人の民間芸能をめぐる多様性と変化に関する民族音楽学的研究
http://hdl.handle.net/10935/3557
http://hdl.handle.net/10935/35575e07bffc-f5c6-47d7-a8fb-3a5f26e5bb28
| アイテムタイプ | default_学位論文 / Thesis or Dissertation(1) | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2013-12-19 | |||||||||||
| タイトル | ||||||||||||
| タイトル | 中国新疆・ウイグル人の民間芸能をめぐる多様性と変化に関する民族音楽学的研究 | |||||||||||
| 言語 | ja | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| キーワード | ||||||||||||
| 言語 | ja | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | ウイグル人 | |||||||||||
| キーワード | ||||||||||||
| 言語 | ja | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 新疆 | |||||||||||
| キーワード | ||||||||||||
| 言語 | ja | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 民間芸能 | |||||||||||
| キーワード | ||||||||||||
| 言語 | ja | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 民俗音楽 | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_db06 | |||||||||||
| 資源タイプ | doctoral thesis | |||||||||||
| アクセス権 | ||||||||||||
| アクセス権 | open access | |||||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||||
| その他（別言語等）のタイトル | ||||||||||||
| その他のタイトル | The Ethnomusicological Study on Diversity and Change of Uyghurs' Folk Entertainments in Xingjinag, China | |||||||||||
| 言語 | en | |||||||||||
| 著者 |
鷲尾,惟子
× 鷲尾,惟子
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| 公開者 | ||||||||||||
| 出版者 | 鷲尾惟子 | |||||||||||
| 言語 | ja | |||||||||||
| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | In this article, I take each essences of music and dance of Uyghurs' forkrore in the Xinjiang Uyghur Autonomous Region, in order to illustrate the global flows of sounds, preservation or restructuring of tradition and culturemeanings, which influence Uyghur folk musics. My approach to this ethinomusicological study was influenced by "The invention of Tradition" writen by Hobsbowm & Ranger. In one side, I have the desire of yearning for the old memory for not being cultural ditionally preserved, against the change and the re-creation of it. The disseminatory power of media (Cassets and VCDs) facilitates the global movement of both musical sounds and political ideas. I argue, using examples of Uyghur folk songs and Uyghur folk dances and the performance, that these sounds and meanings are radically adapted and re-signified in the construction of Uyghur identity and cultural politics, in a complex interplay between the global, national and local, and between tradition and modernity. I discuss the gendered expression of Uyghur nationalism in popular song through the iconic figure of the weeping mother, demonstrating the ability of expressive culture (here music) to reveal underlying or underpinning political trends. In this article,it aims how to change for the culture of a certain community, in the society and nation, while developing diversity in a modern globalization society, and how to clarify whether to reflect it in the recognition of local peoples. Especially, I attention newly two local oasis' music, songs and dances, which had recently, to attention different directionality, in Uyghur cultures. More there, I think it be remained the essence of musical element, even if it select either preservation or the restructuring, of the tradition. Uyghur music embraces several distinct regional styles. So I will find direction essence, and the relation between music and peoples of Uyghur society. | |||||||||||
| 言語 | en | |||||||||||
| 学位名 | ||||||||||||
| 学位名 | 博士(学術) | |||||||||||
| 言語 | ja | |||||||||||
| 学位授与機関 | ||||||||||||
| 学位授与機関識別子Scheme | kakenhi | |||||||||||
| 学位授与機関識別子 | 14602 | |||||||||||
| 学位授与機関名 | 奈良女子大学 | |||||||||||
| 言語 | ja | |||||||||||
| 学位授与年月日 | ||||||||||||
| 学位授与年月日 | 2011-03-24 | |||||||||||
| 学位授与番号 | ||||||||||||
| 学位授与番号 | 甲第484号 | |||||||||||
