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「父の娘」が紡ぐ自分語り:楊歩偉『一個女人的自伝』における生家のイメージ
http://hdl.handle.net/10935/5238
http://hdl.handle.net/10935/523800422bcb-b5bb-4318-a168-6e48e92ab9c1
| 名前 / ファイル | ライセンス | アクション |
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| アイテムタイプ | default_紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
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| 公開日 | 2019-03-24 | |||||||||||
| タイトル | ||||||||||||
| タイトル | 「父の娘」が紡ぐ自分語り:楊歩偉『一個女人的自伝』における生家のイメージ | |||||||||||
| 言語 | ja | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| キーワード | ||||||||||||
| 言語 | ja | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 近代中国 | |||||||||||
| キーワード | ||||||||||||
| 言語 | ja | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 女性自伝 | |||||||||||
| キーワード | ||||||||||||
| 言語 | ja | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 父の娘 | |||||||||||
| キーワード | ||||||||||||
| 言語 | ja | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 楊文会 | |||||||||||
| キーワード | ||||||||||||
| 言語 | ja | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 楊歩偉 | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| その他(別言語等)のタイトル | ||||||||||||
| その他のタイトル | Self-narration of a“ Father's Daughter": The Image of Original Family in Buwei Yang Chao's Autobiography of a Chinese Woman | |||||||||||
| 言語 | en | |||||||||||
| 著者 |
辜,知愚
× 辜,知愚
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| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | This paper investigated Buwei Yang Chao(1889-1981)'s narration in Autobiography of a Chinese Woman about people in her original family. Buwei Yang Chao's grandfather Yang Wenhui was a lay Buddhist reformer, and also an enlightened intellectual. Buwei Yang Chao was adopted by her uncle who is the brother of her birth father, and grew up with four parents in an extended family of traditional Chinese style. In this book, her grandfather and adoptive father are expressed as her enlightener and supporter, when her birth mother and adoptive mother are expressed as powerless traditional Chinese women. It considers that Buwei Yang Chao aimed to represent herself as a modern individual, which is linked to her grandfather and adoptive father's field of modern value. Furthermore, she shows Yang Wenhui's image as a person with “new thought" in the end of Qing dynasty, rather than a Buddhist, even though he was known as "The Father of the Modern Buddhist Renaissance". Also, she shows her adoptive father's image as a person who educated her as the same way as a boy, and except her to become a citizen who can serve the society. However, she tells that she failed to meet the expectations of her father, for she became a housewife but not serving the society. This narration means that the image of a modern citizen was modeled by male, therefore as a“ Father's Daughter", she had to recognize herself inferior to the field which she identified with. | |||||||||||
| 言語 | en | |||||||||||
| 書誌情報 |
ja : 人間文化研究科年報 巻 34, p. 13-22, 発行日 2019-03-31 |
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| 出版者 | ||||||||||||
| 出版者 | 奈良女子大学大学院人間文化研究科 | |||||||||||
| 言語 | ja | |||||||||||
| ISSN | ||||||||||||
| 収録物識別子タイプ | PISSN | |||||||||||
| 収録物識別子 | 0913-2201 | |||||||||||
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| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||