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インデックスリンク
アイテム
Reimagining Female Vampires: Two Female Serial Killers in Byzantium
http://hdl.handle.net/10935/5228
http://hdl.handle.net/10935/5228b17cb28f-6e78-4bd2-9974-c30186aab13b
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
aa12781506vol3pp55-68.pdf
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| アイテムタイプ | default_紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2019-04-23 | |||||
| タイトル | ||||||
| タイトル | Reimagining Female Vampires: Two Female Serial Killers in Byzantium | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | criminology | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Gothic | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | mother and daughter | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Vampires | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
中川,千帆
× 中川,千帆 |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Neil Jordan's Byzantium(2012) offers a fresh new look into the world of vampires. Centering on a vampire mother and daughter, who have been on the run from a secret society of vampires for two hundred years,the film questions and redefines female vampires. Clara and Eleanor look like the typical“good"and “bad" vampires in recent TV dramas and novels, but their opposite characters illuminate how women are monsterized and/or idealized in relation to their sexuality. If we view these two opposite women as two female serial killers, their patterns of aggression and the nature of their oppressions can be explained by feminist criminological studies. The mother looks like a sadistic sexual killer, but she is not. She, and others like her, have been portrayed as such since their rebellion against the ideological construction of femininity results in their demonization. The daughter, on the other hand, appears angelic, since she embraces her feminine role as a caretaker. Her lethal nurturing, however, marks her as an angel ofdeath. These two female serial killers also represent the rebellion against the traditional vampire fiction. The main male characters are named Darvell and Ruthven, evoking the literary beginning of vampires in English literature. The vampire secret society, the Brethren, which allows only male membership, represents the sexist values of homosocial vampire fiction. The Gothic imagery in this film allows us to see Clara as a Gothic victim who rejects being a victim. Eleanor, for her part, is a Gothic heroine who saves herself in the end. They are persecuted victims of and fighters against the male homosocial society of vampires. Byzantium departs from the traditional vampire fiction, which reflect patriarchal values, to develop new female vampires that survive the dangers and threats of a misogynic world. | |||||
| 言語 | en | |||||
| 書誌情報 |
ja : アジア・ジェンダー文化学研究 巻 3, p. 55-68, 発行日 2019 |
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| 出版者 | ||||||
| 出版者 | アジア・ジェンダー文化学研究センター | |||||
| 言語 | ja | |||||
| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 2432-9525 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
