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『体源抄』に見える「姿」「心」論 ―巻十一における歌論書引用部分を中心として―
http://hdl.handle.net/10935/2962
http://hdl.handle.net/10935/29626fc5c9c9-32ca-4cfa-b213-92738be02db5
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
AN10065983_V27pp316-326.pdf
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| アイテムタイプ | default_紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2012-05-09 | |||||||||||
| タイトル | ||||||||||||
| タイトル | 『体源抄』に見える「姿」「心」論 ―巻十一における歌論書引用部分を中心として― | |||||||||||
| 言語 | ja | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| キーワード | ||||||||||||
| 言語 | ja | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 音楽論 | |||||||||||
| キーワード | ||||||||||||
| 言語 | ja | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 雅楽 | |||||||||||
| キーワード | ||||||||||||
| 言語 | ja | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 楽書 | |||||||||||
| キーワード | ||||||||||||
| 言語 | ja | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 体源抄 | |||||||||||
| キーワード | ||||||||||||
| 言語 | ja | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 豊原統秋 | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| その他（別言語等）のタイトル | ||||||||||||
| その他のタイトル | The terms of "sugata " and “ kokoro " in gagaku : focusing on the articles quoting the treatise on waka in “Taigen-sho" volume 11 | |||||||||||
| 言語 | en | |||||||||||
| 著者 |
比嘉,舞
× 比嘉,舞
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| 内容記述 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | “Taigen-sho", which was written by Muneaki Toyohara(1450-1524) during the Muromachi period, is the book on gagaku. One of its features is that it has many articles quoting the book of various fields. Because of many such contents, there are still few studies about“ Taigen-sho". This paper analyzes the concepts of “sugata( 姿)" and “kokoro( 心)" in gagaku, focusing on the articles quoting the treatise on waka called“ Shinsensuinou-iukoto" and“ Isshiden-ni-iukoto" in “Taigen-sho" volume 11. In the first section I show the summary of “sugata" and “kokoro" in “Shinsensuinoh-iukoto". “Sugata" means an acoustic element(a sound and a melody) as well as a physical movement (posture and technique in playing the sho). Then, “kokoro" stands for the knowledge of the pieces, while it implies the beat. In the second section I classify the articles quoting the treatise on waka in “Taigen-sho". As a result, the pieces quoting the treatise on waka in volume 11 are regarded as independent parts in that they do not concern the previous and next articles. In addition, there are two commonalities between “Shinsenzuinoh-iukoto" and “Isshiden-ni-iukoto": their discription form and a topic of “kokoro". It shows that Muneaki tried to suggest his attitude toward gagaku, being based on the theory about tanka poetry. In the third section I research two points: one is the use of “sugata" which means an audible element in “Taigen-sho", another is why “kokoro" stands for the beat. Consequently, “sugata" is the expression that visualized music and it needs “sugata" as the physical movement for perfect performance. Then, “kokoro" is used for the instructions of the playing method, and the methods are different by having “kokoro" or not. This suggests that “kokoro" in gagaku is different from “kokoro" in waka according as which “kokoro" is succeeded. It is interpreted from these analyzes that Muneaki expressed his attitude toward gagaku, recognizing not only the commonality but also the difference between waka and gagaku. | |||||||||||
| 言語 | en | |||||||||||
| 書誌情報 |
ja : 人間文化研究科年報 巻 27, p. 316-326, 発行日 2012-03-31 |
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| 出版者 | ||||||||||||
| 出版者 | 奈良女子大学大学院人間文化研究科 | |||||||||||
| 言語 | ja | |||||||||||
| ISSN | ||||||||||||
| 収録物識別子タイプ | PISSN | |||||||||||
| 収録物識別子 | 0913-2201 | |||||||||||
| 書誌レコードID | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AN10065983 | |||||||||||
| 著者版フラグ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
